Quotes

  • Yevgeny Kharitonov's "Leaflet" ("Listovka"):

         We are barren fatal flowers. And like flowers we should be gathered and put in a vase for our beauty.
         Our question is in some respects like the Jewish question.
         Just as, for example, their genius, according to the common anti-Semitic opinion, flourishes most often in commerce, in mimicry, in the feuilleton, in art without pathos, in worldly tact, in the art of survival, and as there are, one may say, certain spheres of activity created intentionally by them and for them--even so has our genius flourished, for example, in the emptiest and most pretentious of the arts--ballet. It is obvious that it was created by us. Whether it is literally a dance or any pop song, or any other art with sensual pleasure as its basis. Just as Judaic people have to be ridiculed in anecdote and as the image of the sparrow-Jew has to be held firm in the consciousness of all non-Jewish humanity so that Judeophobia is not extinguished--otherwise what would prevent the Jews from occupying all positions in the world? (and there is a belief that exactly this would be the end of the world)--even so our lightweight floral species with its pollen flying who knows where has to be ridiculed and turned by the crude straight common sense of the simple people into a curse word. So that foolish young boys, their masculine aspirations not yet firmly established, shouldn't take it into their heads to indulge the weakness of falling in love with themselves. For of course, and of this there can be no doubt (for us), but the thought is extremely dangerous and should not be sent openly into the world (so as not to bring closer the end of the world, on the othe hand), but it is so: you are all frustrated homosexuals; and you are right, you have once and for all to imagine this pursuit as pitiful and vile and generally not imagine it at all.
         And that all of you are us is clear as day.
         Otherwise tell me why you like yourselves, that is a person of your own sex in the mirror? why are adolescents platonically in love with the leader of their courtyard gang? why do people no longer young look at times with a sigh at the young, seeing in them themselves as they can no longer be? why do you exhibit the beautiful and the young for the adoration of the whole world at the Olympics? Of course in your straight eyes all this has no romantic meaning! And it shouldn't! Otherwise the world would become distinctly polarized, the passions of the sexes would close in on themselves, and Sodom and Gomorrah would come.
         We as the chosen and the predestined ones have to be encircled by a hostile boundary, so our example doesn't infect others.
         Our chosenness and predestination are in living by love alone (insatiable and infinite).
         While you, having found yourself at a young age a friend for life (a girlfriend), even if you look at other people, even if you break up, and then take up with another, still you basically live in the warmth of the family and are free from the daily search for love, free to do something with your mind, to take up a trade, or even to get drunk. But we, the Flowers, have ephemeral unions, tied neither by fruits nor by responsibilities. Living every hour in expectation of a new meeting, we, the shallowest people, to our graves play records with songs of love and look around with nervous eyes in expectation of ever newer young people like you.
         But the best flower of our shallow people is called like no other to dance the dance of impossible love and to sing of it sweetly.
         We secretly control the tastes of the world. What you find beautiful is in part established by us, but you don't always guess this (as Rozanov did). Avoiding in life much that arouses you, we at various times and in various ages have expressed ourselves in our own signs, and you have taken them for an expression of ascetic heights or the beauty of decadence which seemed to have a universal meaning. To say nothing of the fact that we often dictate fashion in clothes, we also present for your admiration women--such women as you might not have chosen in your straight desire. If it weren't for us, you would tend more strongly in your tastes to the direct, the carnal, the bloody. With a backwards glance at us, though not always realizing it, you have placed a high significance on the playful and the impractical. And it is also clear as day that everything fragile, deceptive, all the fallen angels, all that is in beads, paper flowers and tears, all this God keeps in his bosom; all shall have the first place in paradise and a divine kiss. The best of our young perished creatures he will seat closest to himself. And everything pious, normal, bearded, everything that is presented as a model on earth, though the Lord assures all this of his love, secretely in his heart he does not love it very much.
         Western law allows our flowers open meetings, a direct showing of us in art, clubs, gatherings, and declarations of rights--but what rights? and rights to what?
         The stagnant morality of our Russian Soviet Fatherland has its purpose! It pretends we don't exist, but its Criminal code sees in our floral existence a violation of the Law; because the more visible we are, the closer the End of the World.

     

    Alexander Pushkin's Imitation of the Arabic:

    Sweet lad, tender lad,
    Have no shame, you're mine for good;
    We share a sole insurgent fire,
    We live in boundless brotherhood.

    I do not fear the gibes of men;
    One being split in two we dwell,
    The kernel of a double nut
    Embedded in a single shell. 

  • "Normative definitions of masculinity[...]face the problem that not many men actually meet the normative standards[: ...]the difference between the men who cheer football matches on TV and those [playing]. But there is something more[...]carefully crafted[.... M]any men who draw the patriarchal dividend also respect their wives and mothers, are never violent towards women, do their[...]share of the housework[...], and can easily convince themselves that feminists must be bra-burning extremists."

     

     

    Recent positive in my life: becoming a Women's, Gender, and Sexuality major.

    Recent negative: realizing just how stupid most people are in actually understanding feminism.

  • One of my favorite pieces of Harry Potter fan-fiction, and just writing in general.

    Note: The piece below contains mild, graphic sexual content. Original source: http://port70.net/?htext/fanfiction/hp_girlslash/174600.html

     

     

         Moaning Myrtle can be very quiet for a good enough reason.
         Having Pansy fuck herself, skirt up, panties hanging from one foot, shirt unbuttoned and a nipple peeking through the lacy bra is definitely one among them. Fuck, yes.
         Pansy’s eyes are hidden behind her school tie, the green and silver going beautifully with her pale face.
         ”Blind yourself with the tie.”
         “Didn’t know you were so perverted, Myrt.”
         “I’m not the one enjoying masturbating in front of a ghost.”

         It’s an agreement that leaves both satisfied. Well, as satisfied as a ghost can get.
         Myrtle still remembers certain tastes and smells. Ironically enough she can remember exactly how Olive smelled; lavender and slightly dusty, like an old house.
         And she can remember the taste of cunt. All the butter beer, the food, the hideous amount of chocolate gobbled throughout years and still -- the thing she can hint on the tip of her tongue is the slightly salty - almost how you’d imagine an ocean tasting - flavour of cunt.
         Pansy buries her fingers inside after she has come, a usual procedure. They’re glistening from her juices when she pulls them out. She uses her middle finger to teasingly trace Myrtle’s transparent mouth. Sometimes she sticks them inside Myrtle’s, down her throat and with a grin asks Myrtle to ‘choke on them’.
         But not tonight. Pansy starts to lick them clean, lapping slowly like a kitty; looking more graceful than her usual self.
         “Like an ocean right?”
         “Yes Myrt, like an ocean.”

  • Asking, "Why is 2+3 always equal to 5?
    Where do people go to when they die?
    What made the beauty of the moon and the beauty of the sea?
    Did that beauty make you?
    Did that beauty make me?
    Will it make me something? Will I be something? Am I something?"

    And the answer comes…
    Already am, Always was,
    And I still - have time - to be.

  •  


    THE rain set early in to-night,  
      The sullen wind was soon awake,  
    It tore the elm-tops down for spite,  
      And did its worst to vex the lake:  
      I listen'd with heart fit to break.          5
    When glided in Porphyria; straight  
      She shut the cold out and the storm,  
    And kneel'd and made the cheerless grate  
      Blaze up, and all the cottage warm;  
      Which done, she rose, and from her form   10
    Withdrew the dripping cloak and shawl,  
      And laid her soil'd gloves by, untied  
    Her hat and let the damp hair fall,  
      And, last, she sat down by my side  
      And call'd me. When no voice replied,   15
    She put my arm about her waist,  
      And made her smooth white shoulder bare,  
    And all her yellow hair displaced,  
      And, stooping, made my cheek lie there,  
      And spread, o'er all, her yellow hair,   20
    Murmuring how she loved meshe  
      Too weak, for all her heart's endeavour,  
    To set its struggling passion free  
      From pride, and vainer ties dissever,  
      And give herself to me for ever.   25
    But passion sometimes would prevail,  
      Nor could to-night's gay feast restrain  
    A sudden thought of one so pale  
      For love of her, and all in vain:  
      So, she was come through wind and rain.   30
    Be sure I look'd up at her eyes  
      Happy and proud; at last I knew  
    Porphyria worshipp'd me; surprise  
      Made my heart swell, and still it grew  
      While I debated what to do.   35
    That moment she was mine, mine, fair,  
      Perfectly pure and good: I found  
    A thing to do, and all her hair  
      In one long yellow string I wound  
      Three times her little throat around,   40
    And strangled her. No pain felt she;  
      I am quite sure she felt no pain.  
    As a shut bud that holds a bee,  
      I warily oped her lids: again  
      Laugh'd the blue eyes without a stain.   45
    And I untighten'd next the tress  
      About her neck; her cheek once more  
    Blush'd bright beneath my burning kiss:  
      I propp'd her head up as before,  
      Only, this time my shoulder bore   50
    Her head, which droops upon it still:  
      The smiling rosy little head,  
    So glad it has its utmost will,  
      That all it scorn'd at once is fled,  
      And I, its love, am gain'd instead!   55
    Porphyria's love: she guess'd not how  
      Her darling one wish would be heard.  
    And thus we sit together now,  
      And all night long we have not stirr'd,  
      And yet God has not said a word!   60
    -Robert Browning  

     

    My second favorite poem.

  • I occasionally have a taste for theatrics.

    I personally blame it on attending such a secular institution, really.

  • If you remember the last time I posted this, just something to get you through the day; if this is the first time you're seeing this, you can thank me later (yes, I'm still that cocky about it - it's that damn good).



    (if you've ever wondered where I got the quote for your picture from, Kari)

  • Image and video hosting by TinyPic

    I'm not even sure this picture makes any sense...but it looks really cool.

  • Horst: I do. I love you. Isn't that silly?

     

    ...what are you doing?

    Max [arranging the pile of rocks]: Arranging these. We've been sloppy. They could beat you for it.

     

    Don't love me.

    Horst: It's my secret.

    Max: Don't love me.

    Horst: It makes me happy.

     

    And I have a signal. When I rub my left eyebrow at you, like this, it means, "I love you." I bet you didn't know that.

    Max: Don't love me.

    Horst: I can't help it.

    Max: I don't want anyone to love me.

    Horst: Too bad.

    Max: I can't love anybody back.

    Horst: Who's asking you to?

    Max: Queers aren't meant to love - they don't want us to!

     

    You don't love me, you don't love me...

  • Random things about me:

    Listening to heavy metal through ear phones will always put me to sleep, just about. I love metal, but, if I'm not moving, there's just something absolutely lulling about it.

    There's something so incredibly comforting about the night (when I'm not plagued with depression or stress). I love the morning (which is why I've been actually bothering to try to wake up earlier this year), but there's something regally gorgeous about the night.

    I think I've almost fully lost faith in most of humanity - but this time I'm alright with that.

    I really, really like quotes, even after all this time. Which doesn't make sense because all sorts of mishaps happen when you take things out of context like that - background is always direly important. But I still use them almost compulsively.

    I really like contradictions. That's why, for example, both The Exorcist and Show Me Love are my favorite movies. There are some parts of The Exorcist that are just bad. Some of the acting still cracks me up in how over the top it seems, the violence is so rediculous sometimes to the point of me not able to take it seriously, and some of the choice of music and placement of that music is pathetic in how beating-you-over-the-head it is. Show Me Love is meant to be more like a home movie than a professional move in its film-work  so it's often incredibly awkward. Some of the actions of the characters are just funny in how bizarre they are. Yet both have these awesome themes and metaphors through them. Plus The Exorcist just nails so many parts, in terms of acting and what the characters are saying. They both basically cover all the bases, from dry humor (in part because of how ridiculous they sometimes are - I love awkward humor) to drama to fantastic filmwork to metaphors. It's a conglomorate mess that shouldn't work - and yet it does.

    I would know I found the right girl if she proposed to me instead of the other way around, I almost definitely want to adopt in the future, and I'm completely okay with being securely lower middle class. All of these things about me terrify my mother.

    I occasionally feel pathetic and selfish when my depression disables me to do anything or I feel unmotivated to do stuff because I know others have it so much worse than I do.

    On the flip side of that, my dad was talking to me about my major a couple days ago, and I was explaining why, while I love history, I could never do it as a major; see, part of this is that you have to search through a ton of books and do research before a paper for history while English only requires wrestling with one text in a completely thorough fashion, which allows for a deeper and more thorough look through the text and I'm better at that than what I would have to do for history. My father thinks this means that I chose English because it's easier; he says as much with utter disgust. Well, one, no. I just explained what it was for you guys. However - so what if it was? You see, my dad also finds it so irritating and incapable of judging his oldest son for the fact that I'm slower at getting things done and put things off. Ignoring that fact that he can't let so trivial a thing such as the means I get things done (it's not like they don't get done) not get in the way of how he views and treats me, let me put it this way - I go suicidal periodically throughout the year. He should be happy I'm still breathing to this day. You see, I have to monitor what I do, when I do it, and how I do it because something as simple as doing something when I really don't feel like dealing with work can mess up my entire emotional well being for the day. Yes - I take a while to do things. I have to take a while to do them. For my well-being. To be honest, I'm not apologizing to my parents, ever, for how I've lived my life. Every choice I've made were well-thought-out, logical choices which I had to make in the face of their oppressive (in, honestly, places that didn't even begin to affect them, so I don't understand why they felt the need to intrude upon my autonomy), immature, and selfish "parenting". I've done things I regret - how I raised myself will never be one of them.
    (sorry for dumping that on you guys, but I've needed to say something about that incident for a while now)

    I just dropped my laptop off my bed; thankfully, it's okay.

    I still have some of the coolest friends in the world.

    I honestly can't take what little I've heard of Like Water From Chocolate by Common Sense seriously. It keeps sounding like he's trying to combine street rap (so saying purposely inappropriate things and trying to be "real") and political rap (so talking about revolutions and caring about the black community, etc.). He sounds like a fool; I may have lost nearly all respect for him from this album alone (though I still need to listen to the album more fully to really be able to speak on it; "6th Sense" off the album is nearly flawless, though).

    I really want to get another rodent - and soon. I miss constantly caring about something, anything/anyone.
    z211862988Thanks for the picture, Rachael

     

    Btw, if it so interests any of you: http://www.themixtapeexchange.co.nr/