Quotes

  • Heeeeey, little baby, is your daddy home?
    Did he go away and leave you…all alone? No, no
    I gotta bad de-sire...
    Oh-
        ohh-
             ohhh,
      I'm on fire...

    Tell me now, baby, is he good to you?
    Can he do to you the things…that I do? Oh, no…
    I can take you higher...
    Oh-
        ohh-
             ohhh,
      I'm on fire...

     

     

     

     

    Some-times, it's like someone took a knife, baby, edgy and dulland cut a six-inch valley through the middle of my soul…

    At night I wake up with the sheets soaking wet
    And a freight train running through the middle of my head
    Only you...can cool my de-sire...
    Oh-
        ohh-
             ohhh,
      I'm on fire...

  •      The Wart was fond of the Dog Boy, and thought him very clever to be able to do these things with animals—for he could make them do almost anything just by moving his hands—while the Dog Boy loved the Wart in much the same way as his dogs loved him, and thought the Wart was almost holy because he could read and write. They spent much of their time together, rolling about with the dogs in the kennel.
         The kennel was on the ground floor, near the mews, with a loft above it, so that it should be cool in summer and warm in winter. The hounds were alaunts, gaze-hounds, lymers and braches. They were called clumsy, Trowneer, Phoebe, Colle, Gerland, Talbot, Luath, Luffra, Apollon, Orthros, Bran, Gelert, Bounce, Boy, Lion, Bungey, Toby, and Diamond. The Wart's own special one was called Cavall, and he happened to be licking Cavall's nose—not the other way about—when Merlyn came in and found him.
         "That will come to be regarded as an insanitary habit," said Merlyn, "though I cannot see it myself. After all, God made the creature's nose just as well as he made your tongue.[…]"
    —T. H. White, The Once and Future King, "The Sword In the Stone" (http://www.cs.helsinki.fi/u/tsihvone/Once%20and%20Future%20King/Incipit%20Liber%20Primus.html)

  • "Here Am I" by Anis Mojgani

    we all wanted that high school sweetheart
    we wanted to be young in the 50s with meatloaves
    and sock hops
    and lawns – lawns so perfect they looked like Clark Gable was kissing them…

    we wanted to be thirteen and alive and meet a girl that was thirteen and alive
    and walk with her past the grandstands, to sit and hold hands, with the sit and kiss, with the sit and sit, like it was something you would miss, but that…never was…

    we once went to bed like between the bed sheets was a valley with dinosaurs still breathing
    and how we capture these triceratops?
    and brontosauruses?
    but even they were opened up with the smoke that rose out of the homes and the corners that we once climbed through,
    the streets and the footballs which we once threw,
    the school desks upon which we once drew,
    the windows that sat open through we once flew,
    before the outside world of parking spaces and dead friends came flooding on in
    and we forgot what we wanted
    and we became what we become:
         waitresses and bartenders,
         city employees and temp positions,
              we are junkies…and one kiss poems…and we cry the stars
    as we write our scars onto dumpsters
    and electric boxes
    because the only thing that we can hear is our hearts
    and the only ones listening are the streets

    that the blood that breaths through the letters we leave
    and we dream to rise ourselves up out of these burning buildings
    but instead we get buried somewhere beneath

    because I know my life is like some high school kid's notebook
    a high school kid that shuffles back and forth between school and home
    stacking the letters and the pictures too close for anyone outside of his own imagination to read
    because it’s through the ink that his heart beats,
    that his heart breaths
    and we all just wanted to write these notes:

    check if you like me
    check if you don’t
    check if you’ll date me
    check if you won’t

    because we all wanted the love songs to be true
    and we did love dinosaurs once
    and we wanted the stars to hold our hands,
    to lick the teeth to fuck us,
    but they ended up fucking us…up

    so let your smile twist…
    like my heart dancing precariously on the edge of my fingertips,
    staining them like that same high school kid licking his thoughts,
    using his sharpie tip writing:

    “I was here / I was here, mothafucka… / And ain’t none of y’all can write that in the spot that I just wrote it in / I’m here mothafucka and we all here mothafucka and we all mothafuckas, mothafucka”

    because every breath I give brings me a second closer to the day that my mother may die
    because every breath I take takes me a second further from the moment she caught my father’s eye
    because every word I carry is another stone to put into place in the foundation that I’m building
    because the days can erase something that I never saw
         what all of us wanted and what none of us got
         what we all had and have and what we all forgot:

    that we all wanted to be something
    that we all became something

    and it might not be the shit we once thought we’d be when we were kids
    but something is still something
    and, like some cats say, something is better than nothing
    feet are smarter than an engine
    and dreams are stronger than thighs
    and questions are the only answers we need to have to know that we are alive as I am when I have the mind of a child,
    asking, "why is 2 + 3 always equal to 5?"
    "where do people go to when they die?"
    "what made the beauty of the moon?
    and the beauty of the sea?
    did that beauty made you?
    did that beauty make me?

    will that make me something?
    will I be something?
    am I something?

    And the answer comes:
         already am,
         always was,
         and I still have time to be

  •      I was a bridesmaid. I came into her room half an hour before the bridal dinner, and found her lying on her bed as lovely as the June night in her flowered dress- and as drunk as a monkey. She had a bottle of Sauterne in one hand and a letter in the other. 
         "Gratulate me," she muttered. "Never had a drink before, but oh how I do enjoy it."
         "What's the matter, Daisy?"
         I was scared, I can tell you; I'd never seen a girl like that before.
         "Here, deares'." She groped around in a waste-basket she had with her on the bed and pulled out the string of pearls. "Take 'em down-stairs and give 'em back to whoever they belong to. Tell 'em all Daisy's change' her mine. Say: Daisy's change' her mine!"
         She began to cry- she cried and cried. I rushed out and found her mother's maid, and we locked the door and got her into a cold bath. She wouldn't let go of the letter. She took it into the tub with her and squeezed it up into a wet ball, and only let me leave it in the soap-dish when she saw that it was coming to pieces like snow.
    -F. Scott Fitzgerald's The Great Gatsby


  • I'd always heard the Benjamin Franklin quote as, "He who sacrifices freedom for security deserves neither," to which my response was always, "What liberty is there without safety?"

    The actual quote I find far more advisable: "Those who would give up Essential Liberty to purchase a little Temporary Safety, deserve neither Liberty nor Safety."